‘Who’s Zooomin’ Who?’ Intimacy in Sarah Waters’ Fingersmith and Carol Ann Duffy’s Warming Her Pearls
The spectacular monologue usually explores the unsettling ambivalence of want. A voice speaks to us of intimacies and longings that may possibly threaten to dismantle the incredibly construction of the non-public existence, even of id by itself. The reader will become conscious of the speaker’s compelling need to reveal by means of testimony, untold secrets […]